{"id":1729,"date":"2021-07-06T18:27:46","date_gmt":"2021-07-06T15:27:46","guid":{"rendered":"https:\/\/latvianjewellery.org\/?post_type=event&p=1729"},"modified":"2021-10-06T19:02:05","modified_gmt":"2021-10-06T16:02:05","slug":"projekts-dienasgramata-2","status":"publish","type":"event","link":"https:\/\/latvianjewellery.org\/lv\/event\/projekts-dienasgramata-2\/","title":{"rendered":"Projekts DIENASGR\u0100MATA"},"content":{"rendered":"

Kas ir dienasgr\u0101mata?<\/h2>\n

Dienasgr\u0101matu franciski sauc par journal intime<\/em>, burtiski tulkojot \u2013 int\u012bm\u0101 av\u012bze. \u0160\u0101ds nosaukums pal\u012bdz to at\u0161\u0137irt no laikraksta, kas paredz\u0113ts pla\u0161am las\u012bt\u0101ju lokam. Pret\u0113ji – rakstot dienasgr\u0101matu, t\u0101s autors parasti nepl\u0101no saturu k\u0101dam demonstr\u0113t, jo tas rad\u012b\u0161anas br\u012bd\u012b saisto\u0161s tikai un vien\u012bgi autoram. Tradicion\u0101l\u0101 izpratn\u0113 tie ir pieraksti pa\u0161am sev. Ar sevi katrs var b\u016bt vis paties\u0101kais, t\u0101p\u0113c dienasgr\u0101mat\u0101 autors var at\u013cauties b\u016bt cit\u0101ds k\u0101 ikdien\u0101. Vi\u0146\u0161 var at\u013cauties b\u016bt nesavald\u012bgs, rupj\u0161, vai atkl\u0101t savu v\u0101jumu un bailes. Dienasgr\u0101mata ir katra pa\u0161a zi\u0146\u0101.<\/p>\n

Par vienu no pirmajiem dienasgr\u0101matu rakst\u012bt\u0101jiem uzskata Romas imperatoru, filozofu Marku Aur\u0113liju. Piez\u012bmes \u201dPa\u0161am sev\u201d nebija paredz\u0113ts public\u0113t, tie bija pieraksti bez nosaukuma (tas dots v\u0113l\u0101k) un bez noteiktas strukt\u016bras, ieraksti vari\u0113ja no viena teikuma l\u012bdz gar\u0101m rindkop\u0101m. Ne izm\u0113ram, ne formai nav noz\u012bmes k\u0101 toreiz t\u0101 ar\u012b tagad.<\/p>\n

Tuvo austrumu kult\u016br\u0101 dienasgr\u0101matai ir \u013coti sena v\u0113sture. Santa Remere par dienasgr\u0101matu at\u0161\u0137ir\u012bb\u0101m da\u017e\u0101d\u0101s\u00a0 kult\u016br\u0101s raksta: \u201eJap\u0101\u0146u dienasgr\u0101mat\u0101, (\u2026) t\u0101s autore vai autors m\u012blest\u012bbas, n\u0101ves un dabas rituma lokos mekl\u0113 savu pieder\u012bbu visai pasaulei, radot las\u012bt\u0101ju un rakst\u012bt\u0101ju vienojo\u0161u kop\u012bbas saj\u016btu: las\u012bt\u0101js atpaz\u012bst rakst\u012bt\u0101ja izj\u016btas, sp\u0113j identific\u0113ties, nejusties vientu\u013c\u0161.\u201d[i]<\/sup><\/a> Zin\u0101ma l\u012bdz\u012bba saj\u016btu mekl\u0113jumos bija ar\u012b Latvij\u0101 tapu\u0161\u0101 literat\u016bras projekta “Pand\u0113mijas dienasgr\u0101mata” pamat\u0101. Projekts aizs\u0101k\u0101s ar m\u0113r\u0137i rad\u012bt kop\u012bbas saj\u016btu, jo: \u201ekaut ar\u012b katrs sav\u0101s \u010detr\u0101s sien\u0101s, tom\u0113r esam vien\u0101 laiv\u0101,\u201d skaidroja projekta idejas autori.[ii]<\/sup><\/a><\/p>\n

\u201eDienasgr\u0101matu tipa pierakstus izmantoju\u0161i ar\u012b viduslaiku misti\u0137i un al\u0137\u012bmi\u0137i, lai atcer\u0113tos, k\u0101d\u0101 sec\u012bb\u0101 un ko vi\u0146i ir dar\u012bju\u0161i, lai non\u0101ktu pie ieg\u016bt\u0101 rezult\u0101ta \u2013 izsaukt\u0101 gara vai zelt\u0101 p\u0101rv\u0113rst\u0101 ble\u0137a,\u201d skaidro Ilm\u0101rs \u0160l\u0101pins rakst\u0101 par dienasgr\u0101matu v\u0113sturi.[iii]<\/sup><\/a><\/p>\n

Caur m\u0101kslinieka vizu\u0101lo pasaules redz\u0113jumu varam iet\u0113rpt dienasgr\u0101matas\u00a0 cit\u0101 materialit\u0101t\u0113. Idejisk\u0101 dienasgr\u0101mata sev\u012b ietver ko vair\u0101k, nek\u0101 tikai tekstu. \u0112riks Apa\u013cais veidojot gleznu s\u0113riju “Zemes dienasgr\u0101matas” sask\u0101ries ar dienasgr\u0101matas j\u0113dzienu \u0101rpus rakst\u012bta teksta. Pats rakst\u012bjis dienasgr\u0101matu un v\u0113l\u0101k rad\u012bjis gleznieciskas artikul\u0101cijas.[iv]<\/sup><\/a> \u0160\u012bs gleznas sav\u0101 veid\u0101 k\u013cuva var dienasgr\u0101matas objektu.<\/p>\n

 <\/p>\n

Rota k\u0101 dienasgr\u0101matas objekts<\/h2>\n

Projekt\u0101 DIENASGR\u0100MATA, rotu m\u0101kslinieki pied\u0101v\u0101 skat\u012bt\u0101jiem savas dienasgr\u0101matu lappuses \u012bpa\u0161i \u0161im projektam rad\u012bt\u0101s rot\u0101s, caur kur\u0101m mekl\u0113t paties\u012bbu, sajust kop\u012bbas saj\u016btu un rast jaunas interpret\u0101cijas.<\/p>\n

Katrs autors mekl\u0113jis individu\u0101lu ce\u013cu, k\u0101 rotas veidot nezaud\u0113jot sasaisti ar virst\u0113mu, un k\u0101 realiz\u0113t ideju nezaud\u0113jot savu m\u0101ksliniecisko valodu rot\u0101s.<\/p>\n

\u201eM\u0101kslinieka rad\u012btai rotai, piem\u012bt visiem neredzam\u0101\/apzin\u0101ti sl\u0113pt\u0101 inform\u0101cija vai ener\u0123ija, kas var materializ\u0113ties da\u017e\u0101di. Katrs autors rado\u0161aj\u0101 proces\u0101 nevar izb\u0113gt no t\u0101, ka darb\u0101 atspogu\u013cojas vi\u0146\u0161 pats, vi\u0146a person\u012bba un p\u0101rdz\u012bvojumi\u201d, st\u0101sta rotu m\u0101ksliniece Zane Vilka.<\/p>\n

Rotu m\u0101ksliniece Maija V\u012btola \u2013 Zitmane kolekcijai kopum\u0101 par iedvesmas avotu izv\u0113l\u0113jusies Roberto Ben\u012bni filmu \u201cDz\u012bve ir skaista\u201d. Ben\u012bn\u012b izcilais darbs st\u0101sta par t\u0113vu, kur\u0161 koncentr\u0101cijas nometnes \u0161ausm\u0101s cen\u0161as pasarg\u0101t savu mazo d\u0113li\u0146u, st\u0101stot tam, ka visapk\u0101rt notieko\u0161ais ir tikai sp\u0113le. \u0160o \u0161\u0137ietami vienk\u0101r\u0161o pieeju der atcer\u0113ties, apzinoties, ka dz\u012bves laik\u0101 m\u0113s non\u0101kam situ\u0101cij\u0101s, kuras neizv\u0113lamies. Svar\u012bgi, manupr\u0101t, nepalikt iesl\u0113gtam pag\u0101tn\u0113. Saskaroties ar skumjiem vai pat tra\u0123iskiem notikumiem, katrs no mums b\u016btu ieguv\u0113js, paturot pr\u0101t\u0101 \u0161o vieglumu, atceroties, ka kopum\u0101 dz\u012bve ir skaista, jeb k\u0101 rakst\u012bjis Ralfs Emersons \u201cDz\u012bve \u2013 t\u0101 ir m\u016b\u017e\u012bba miniat\u016br\u0101\u201d.<\/p>\n

Rotu m\u0101kslinieka Valda Bro\u017ees darbos tiek mekl\u0113tas atbildes uz jaut\u0101jumiem: \u201eK\u0101 pag\u0101tnes notikumus redz\u0113t m\u016bsdienu ac\u012bm; k\u0101 m\u016bsu pag\u0101tnes rota, apst\u0101k\u013cu ietekm\u0113ta, izskat\u012btos \u0161odien?\u201d<\/p>\n

\u201eDienasgr\u0101matas t\u0113ma man asoci\u0113jas ar rado\u0161\u0101 procesa realit\u0101ti, izaugsmi un pilnveido\u0161anos, t\u0101pat ar\u012b ar rut\u012bnu un paciet\u012bbu. T\u0101 r\u0101da, k\u0101 p\u0101rtop idejas laik\u0101, k\u0101 kombin\u0113jas materi\u0101li un pilnveidojas formas, savstarp\u0113ji ietekm\u0113jas un aug,\u201d t\u0101 st\u0101sta rotu m\u0101ksliniece Paula Treimane.<\/p>\n

Ar\u012b rotu m\u0101ksliniece Una Mikuda darb\u0101 iedzi\u013cin\u0101s m\u0101kslinieka darba realit\u0101tes aspekt\u0101 un rut\u012bnas kl\u0101tesam\u012bb\u0101, kas ne vienm\u0113r \u0161\u0137iet pa\u0161saprotami run\u0101jot par m\u0101kslinieka darbu. Vi\u0146a projekt\u0101 366 piespraudes<\/em> katru 2020. gada dienu rad\u012bja vienu piespraudi. \u201e\u0160is nav st\u0101sts tikai par rot\u0101m. \u0160is ir st\u0101sts par pa\u0161discipl\u012bnu, laika pl\u0101no\u0161anu, darba kult\u016bru un rado\u0161uma robe\u017eu p\u0101rbaud\u012b\u0161anu,\u201d skaidro Una Mikuda.<\/p>\n

Projekt\u0101 piedal\u0101s: Andris Lauders, Anita Savicka, Anna Fanigina, Daria Svirel, Ginta Gr\u016bbe, Gints Str\u0113lis, Guntis Lauders, Ilze Egle, J\u0101nis Brants, Laura Selecka, Maija V\u012btola-Zitmane, M\u0101ris Auni\u0146\u0161, M\u0101ris \u0160usti\u0146\u0161, Paula Treimane, Rasma Pu\u0161pure, Una Mikuda, Valdis Bro\u017ee, Zane Vilka.<\/p>\n

Projekta rado\u0161aj\u0101 komand\u0101 piedal\u0101s Rotu m\u0101kslas biedr\u012bba, m\u0101ksliniece Krista Ose, operators Kaspars Bra\u0137is, aktieris Vilis Daudzi\u0146\u0161 un komponists Dainis Tenis.<\/p>\n

Teksts: Ginta Gr\u016bbe<\/p>\n

[i]<\/a> R\u012bgas Laiks, j\u016blijs 2020, 41.lpp<\/p>\n

[ii]<\/a> http:\/\/garamantas.lv\/lv\/collection\/1415829\/Pandemijas-dienasgramatas-2020<\/a><\/p>\n

[iii]<\/a> https:\/\/www.dgramata.lv\/lasitava\/recenzijas-apskati-pardomas\/dienasgramata-vainu-pastiprinosos-apstaklos\/<\/a><\/p>\n

[iv]<\/a> https:\/\/www.lsm.lv\/raksts\/kultura\/maksla\/purvisa-balvas-2019-kandidati-erika-apala-gleznu-serija-zemes-dienasgramatas.a314668\/<\/a><\/p>\n","protected":false},"author":3,"featured_media":1738,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1729","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/1729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":2,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/1729\/revisions"}],"predecessor-version":[{"id":1737,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/1729\/revisions\/1737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media\/1738"}],"wp:attachment":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media?parent=1729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}