Igau\u0146u laikmet\u012bgo rotu m\u0101ksliniece un p\u0113tniece Darja Popolitova no 26. l\u012bdz 30. maijam viesoj\u0101s R\u012bg\u0101 daloties ar vieslekciju Latvijas M\u0101kslas akad\u0113mijas Dizaina dienu ietvaros. Vi\u0146a kop\u0101 ar modes dizaineriem no Lodzas M\u0101kslas akad\u0113mijas – Micha\u0142 Szulc, Maria Wiatrowska un Maja B\u0105czy\u0144ska; kuratori Magalie Gu\u00e9rin no Francijas un AJ Power valdes locekli Uldi Skrebu piedal\u012bj\u0101s pane\u013cdiskusij\u0101 “K\u0101 defin\u0113t dizainu \u0161odien?” Diskusiju moder\u0113ja rotu m\u0101ksliniece Ginta Gr\u016bbe. Kl\u0101teso\u0161ie apsprieda vair\u0101kus noz\u012bm\u012bgus jaut\u0101jumus, kas pieskaras \u0101trajai modei un jaun\u0101 dizainera izv\u0113l\u0113m m\u016bsdienu tehnokr\u0101tiskaj\u0101 vid\u0113.<\/p>\n
Paral\u0113li dal\u012bbai LMA Dizaina dienu vieslektoru programm\u0101, Darja Popolitova piedal\u012bj\u0101s ar\u012b starptautiskaj\u0101 laikmet\u012bg\u0101s m\u0101kslas festiv\u0101l\u0101 Riga Art Week (RAW), kur vad\u012bja performat\u012bvu darbn\u012bcu 3D Jewellery Fortune Telling<\/em>. Darbn\u012bc\u0101 digit\u0101l\u0101 rotu model\u0113\u0161ana satik\u0101s ar ma\u0123iska ritu\u0101la est\u0113tiku, aicinot dal\u012bbniekus dom\u0101t par tehnolo\u0123iju, identit\u0101tes un simbolisma attiec\u012bb\u0101m m\u016bsdienu kult\u016br\u0101. \u0160\u012b starpdisciplin\u0101r\u0101 pieeja sasauc\u0101s ar\u012b ar Popolitovas lekcij\u0101 LMA apl\u016bkotaj\u0101m t\u0113m\u0101m par rot\u0101m k\u0101 soci\u0101lu, emocion\u0101lu un spekulat\u012bvu mediju.<\/p>\n Savuk\u0101rt pane\u013cdiskusij\u0101 “K\u0101 defin\u0113t dizainu \u0161odien?” izskan\u0113ja atzi\u0146a, ka dizains \u0161odien vairs nav tikai objektu rad\u012b\u0161ana, bet ar\u012b attiec\u012bbu, noz\u012bmju un piered\u017eu veido\u0161ana. Sarun\u0101 \u012bpa\u0161a uzman\u012bba tika piev\u0113rsta jaun\u0101s paaudzes dizaineru vietai nozar\u0113. Fran\u010du kuratore Magalie Gu\u00e9rin run\u0101ja par dizainu k\u0101 vidi, kur\u0101 b\u016btiska ir ne tikai profesionalit\u0101te, bet ar\u012b kopiena, mentor\u012bba un ilgtermi\u0146a atbalsts jaunajiem talantiem. Tika diskut\u0113ts par to, vai dizaina pasaule k\u013c\u016bst cilv\u0113c\u012bg\u0101ka, vair\u0101k orient\u0113joties uz kopienu, mentor\u012bbu un sadarb\u012bbu, k\u0101 ar\u012b par to, vai nep\u0101rtraukt\u0101 nepiecie\u0161am\u012bba b\u016bt redzamam digit\u0101laj\u0101 vid\u0113 nav k\u013cuvusi svar\u012bg\u0101ka par pa\u0161u rado\u0161o procesu. Dal\u012bbnieki piev\u0113rs\u0101s jaut\u0101jumam, vai modes industrijas straujais temps v\u0113l \u013cauj att\u012bst\u012bties j\u0113gpilnai rado\u0161umam un k\u0101 saglab\u0101t autentiskumu laik\u0101, kad dizaineri vienlaikus tiek aicin\u0101ti b\u016bt gan autori, gan savu darbu komunikatori.<\/p>\n Noz\u012bm\u012bga diskusijas da\u013ca bija velt\u012bta ilgtsp\u0113jai un atbild\u012bbai pret materi\u0101liem. Po\u013cu modes dizainers Micha\u0142 Szulc aicin\u0101ja dom\u0101t par atbild\u012bgu rad\u012b\u0161anu, kritiski raugoties uz p\u0101rprodukciju un nemit\u012bgo jaunin\u0101jumu kultu. Tika apspriests, vai n\u0101kotnes dizains iesp\u0113jams bez starpdisciplin\u0101ras sadarb\u012bbas starp dizaineriem, ra\u017eot\u0101jiem, p\u0101rstr\u0101des industriju un sabiedr\u012bbu kopum\u0101. AJ Power Recycling valdes loceklis Uldis Skrebs atg\u0101din\u0101ja, ka ilgtsp\u0113ja vairs nav tikai dizaina izv\u0113le, bet gan nepiecie\u0161am\u012bba, kas pieprasa sadarb\u012bbu starp da\u017e\u0101d\u0101m nozar\u0113m. Dal\u012bbnieki diskut\u0113ja ar\u012b par to, vai jaun\u0101 dizaineru paaudze jau \u0161obr\u012bd dom\u0101 cit\u0101di par pat\u0113ri\u0146u, materi\u0101lu dz\u012bves ciklu un aprites ekonomiku, k\u0101 ar\u012b par to, vai apzin\u0101ta ierobe\u017eo\u0161ana un atteik\u0161an\u0101s no p\u0101rprodukcijas var k\u013c\u016bt par jaunu inov\u0101cijas formu.<\/p>\n Sarun\u0101 vair\u0101kk\u0101rt izskan\u0113ja jaut\u0101jums par tehnolo\u0123iju lomu rado\u0161aj\u0101 proces\u0101. Vai tehnolo\u0123ijas papla\u0161ina dizaina cilv\u0113cisko dimensiju, vai tom\u0113r rada risku zaud\u0113t emocion\u0101lo dzi\u013cumu un autentiskumu? Run\u0101jot par digit\u0101lo kult\u016bru, tika analiz\u0113ts, k\u0101 main\u0101s \u0137erme\u0146a, identit\u0101tes un materi\u0101lit\u0101tes izpratne laik\u0101, kad dizaina objekti arvien bie\u017e\u0101k eksist\u0113 gan fizisk\u0101, gan virtu\u0101l\u0101 form\u0101. \u012apa\u0161u interesi rais\u012bja jaut\u0101jums, vai soci\u0101lie mediji jau k\u013cuvu\u0161i par jaunu materi\u0101lu dizaineriem. Rotu m\u0101ksliniece un p\u0113tniece Darja Popolitova aktualiz\u0113ja jaut\u0101jumu par \u0137ermeniskumu un pieredzi digit\u0101laj\u0101 laikmet\u0101, aicinot p\u0101rdom\u0101t, vai n\u0101kotnes dizains b\u016bs fizisks, virtu\u0101ls vai emocion\u0101ls. Modes dizainere un p\u0113tniece Maria Wiatrowska pied\u0101v\u0101ja skat\u012bt modi k\u0101 simbolu un noz\u012bmju sist\u0113mu, kur\u0101 dizainers k\u013c\u016bst par kult\u016bras tulkot\u0101ju, savuk\u0101rt Maja B\u0105czy\u0144ska run\u0101ja par dizainu k\u0101 pieredzi, kur tehnolo\u0123ijas, \u0137ermenis un emocijas veido vienotu veselumu.<\/p>\n Nosl\u0113gum\u0101 saruna atgriez\u0101s pie t\u0101s centr\u0101l\u0101 jaut\u0101juma \u2013 k\u0101 defin\u0113t dizainu \u0161odien?<\/em> Jau diskusijas pa\u0161\u0101 s\u0101kum\u0101 Micha\u0142 Szulc uzsv\u0113ra ka m\u0113s nezin\u0101m k\u0101 defin\u0113t dizainu un varb\u016bt tie\u0161i t\u0101p\u0113c tas ir tik aktu\u0101ls. Dizains nep\u0101rtraukti main\u0101s l\u012bdz ar tehnolo\u0123ij\u0101m, sabiedr\u012bbu, kult\u016bru un m\u016bsu priek\u0161statiem par v\u0113rt\u012bb\u0101m, t\u0101d\u0113\u013c m\u0113\u0123in\u0101jums to defin\u0113t dr\u012bz\u0101k ir nep\u0101rtraukts process, nevis sasniedzams rezult\u0101ts. Daudz svar\u012bg\u0101ka par defin\u012bciju izr\u0101d\u012bj\u0101s pati saruna \u2013 par atbild\u012bbu, ilgtsp\u0113ju, identit\u0101ti, tehnolo\u0123ij\u0101m, emocij\u0101m un cilv\u0113ka pieredzi. Diskusija \u013c\u0101va paskat\u012bties uz dizainu no vair\u0101kiem skatpunktiem un uzdot jaunus jaut\u0101jumus, ko var\u0113tu uzskat\u012bt par sasniegtu m\u0113r\u0137i virz\u012bb\u0101 uz skaidru dizaina defin\u012bciju \u0161odien.<\/p>\n LMA Dizaina dienu notikumus atbalsta: Valsts kult\u016brkapit\u0101la fonds, AJ Power Recycling, Lido, Stockmann, Madara Cosmetics, Kinetics, UnaStyle, Tiny Giant Coffee, Tikkurila, Skr\u012bveru saldumi, Oribe, 885, Pastaiga, Radio 5, Arctic Paper<\/p>\n","protected":false},"author":3,"featured_media":3731,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3720","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":4,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3720\/revisions"}],"predecessor-version":[{"id":3748,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3720\/revisions\/3748"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media\/3731"}],"wp:attachment":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media?parent=3720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}