{"id":3792,"date":"2026-06-06T17:31:51","date_gmt":"2026-06-06T14:31:51","guid":{"rendered":"https:\/\/latvianjewellery.org\/?post_type=event&#038;p=3792"},"modified":"2026-06-06T17:42:50","modified_gmt":"2026-06-06T14:42:50","slug":"ildze-bogana-kad-aizraujos-ar-ideju-laiks-mazliet-parstaj-eksistet","status":"publish","type":"event","link":"https:\/\/latvianjewellery.org\/lv\/event\/ildze-bogana-kad-aizraujos-ar-ideju-laiks-mazliet-parstaj-eksistet\/","title":{"rendered":"Ildze Bogana: &#8220;Kad aizraujos ar ideju, laiks mazliet p\u0101rst\u0101j eksist\u0113t&#8221;"},"content":{"rendered":"<p><strong>Interviju rotu v\u0113stures kursa ietvaros veidojusi Latvijas M\u0101kslas akad\u0113mijas Dizaina noda\u013cas Met\u0101la dizaina bakalaura studiju programmas 3. kursa studente El\u012bza Dz\u0113rve.<\/strong><\/p>\n<p>Ildze Bogana pieder tai jaunajai Latvijas laikmet\u012bg\u0101s rotu m\u0101kslas paaudzei, kuras darbos tradicion\u0101l\u0101 amata prasme savienojas ar eksperimentu un starpdisciplin\u0101ru dom\u0101\u0161anu. P\u0113c Latvijas M\u0101kslas akad\u0113mijas Grafikas noda\u013cas absolv\u0113\u0161anas 2016. gad\u0101 vi\u0146a non\u0101ca rotu m\u0101ksl\u0101, s\u0101kotn\u0113ji str\u0101d\u0101jot Lauras Seleckas darbn\u012bc\u0101, bet v\u0113l\u0101k stud\u0113jot Antverpenes Karaliskaj\u0101 m\u0101kslas akad\u0113mij\u0101, kur 2024. gad\u0101 ieguva ma\u0123istra gr\u0101du un sa\u0146\u0113ma Mathilde Horlait-Dapsens balvu par savu diplomdarbu.<\/p>\n<p>Lai gan Ildzes rado\u0161ais ce\u013c\u0161 s\u0101k\u0101s grafik\u0101, vi\u0146as uzman\u012bbu arvien vair\u0101k piesaist\u012bja telpiski objekti, met\u0101ls un meh\u0101nismi. Vi\u0146a atz\u012bst, ka rotu m\u0101ksl\u0101 non\u0101kusi pak\u0101peniski, sekojot interesei par materi\u0101lu un konstrukciju iesp\u0113j\u0101m. &#8220;Man vienm\u0113r ir paticis met\u0101ls, da\u017e\u0101di meh\u0101nismi un objekti ar interesant\u0101m fakt\u016br\u0101m. Rotas man nav tikai dekorat\u012bvi priek\u0161meti \u2014 t\u0101s ir veids, k\u0101 p\u0113t\u012bt idejas un veidot st\u0101stus.&#8221; \u0160\u012b interese par lietu uzb\u016bvi un funkcion\u0113\u0161anu joproj\u0101m ir viens no vi\u0146as darba st\u016brakme\u0146iem. Daudzi Ildzes objekti balans\u0113 starp rotu, skulpt\u016bru un meh\u0101nisku konstrukciju. Tajos noz\u012bm\u012bga loma ir kust\u012bbai, l\u012bdzsvaram un materi\u0101lu savstarp\u0113j\u0101m attiec\u012bb\u0101m.<\/p>\n<p>Studijas Antverpen\u0113 deva iesp\u0113ju paskat\u012bties uz savu praksi no starptautiskas perspekt\u012bvas. Lai gan s\u0101kums nebija vienk\u0101r\u0161s un dz\u012bve \u0101rvalst\u012bs pras\u012bja piel\u0101go\u0161anos, \u0161\u012b pieredze k\u013cuva par noz\u012bm\u012bgu pav\u0113rsiena punktu vi\u0146as profesion\u0101laj\u0101 att\u012bst\u012bb\u0101. &#8220;Studijas deva iesp\u0113ju iepaz\u012bt cit\u0101du pieeju m\u0101kslai un daudz pla\u0161\u0101ku skat\u012bjumu uz pasauli.&#8221;<\/p>\n<p>Ildzes rado\u0161aj\u0101 proces\u0101 noz\u012bm\u012bgu vietu ie\u0146em materi\u0101ls. Bie\u017ei vien tie\u0161i materi\u0101la raksturs k\u013c\u016bst par s\u0101kumpunktu idejai. M\u0101ksliniece st\u0101sta, ka katram materi\u0101lam piem\u012bt sava ener\u0123ija un iesp\u0113jas, kas virza dom\u0101\u0161anu noteikt\u0101 virzien\u0101.<\/p>\n<p>Lai att\u012bst\u012btu ideju, vi\u0146a veido detaliz\u0113tas skices un tehniskus uzmetumus. \u012apa\u0161i svar\u012bgi tas ir gad\u012bjumos, kad darbos paredz\u0113ti kust\u012bgi elementi vai sare\u017e\u0123\u012bt\u0101ki meh\u0101nismi. Skices k\u013c\u016bst par laboratoriju, kur iesp\u0113jams p\u0101rbaud\u012bt proporcijas, konstrukcijas un potenci\u0101los tehniskos risin\u0101jumus v\u0113l pirms darba realiz\u0101cijas materi\u0101l\u0101. Iedvesmu vi\u0146a mekl\u0113 ne tikai m\u0101ksl\u0101, bet ar\u012b ikdien\u0101. Kr\u0101mu tirgi, atrasti priek\u0161meti un da\u017e\u0101du meh\u0101nismu darb\u012bba bie\u017ei k\u013c\u016bst par impulsu jauniem darbiem. Starp autoriem, kuru darbi atst\u0101ju\u0161i b\u016btisku iespaidu, vi\u0146a \u012bpa\u0161i izce\u013c norv\u0113\u0123u laikmet\u012bg\u0101s rotu m\u0101kslas meistaru Sigurdu Brongeru. L\u016bgta raksturot savu rokrakstu, Ildze izvair\u0101s no vienas konkr\u0113tas defin\u012bcijas. Vi\u0146aspr\u0101t, darbu vienot\u012bba rodama nevis vizu\u0101l\u0101s paz\u012bm\u0113s, bet dom\u0101\u0161anas veid\u0101. &#8220;Man \u0161\u0137iet, ka man nav viena noteikta stila. Dr\u012bz\u0101k ir kop\u012bga interese par materi\u0101lu savieno\u0161anu, kust\u012bbu un meh\u0101nismiem.&#8221;<\/p>\n<p>Par noz\u012bm\u012bg\u0101ko sav\u0101 l\u012bdz\u0161in\u0113j\u0101 praks\u0113 m\u0101ksliniece uzskata ma\u0123istra projektu Antverpen\u0113. Taj\u0101 pirmo reizi pilnv\u0113rt\u012bgi izdev\u0101s apvienot met\u0101lapstr\u0101di ar meh\u0101nisk\u0101m konstrukcij\u0101m, radot darbu kopumu, kas prec\u012bzi atbilda vi\u0146as rado\u0161aj\u0101m interes\u0113m. Balva, ko projekts sa\u0146\u0113ma, kalpojusi k\u0101 papildu apliecin\u0101jums izv\u0113l\u0113t\u0101 virziena noz\u012bm\u012bbai.<\/p>\n<p>Tom\u0113r ce\u013c\u0101 biju\u0161as ar\u012b neveiksmes. Vi\u0146a atceras vienu no saviem bakalaura diplomdarbiem grafik\u0101, kura realiz\u0101cija izr\u0101d\u012bj\u0101s p\u0101r\u0101k ambicioza pieejam\u0101 laika un resursu zi\u0146\u0101. \u0160\u012b pieredze k\u013cuvusi par svar\u012bgu m\u0101c\u012bbu par darba pl\u0101no\u0161anu un iesp\u0113j\u0101m re\u0101listiski nov\u0113rt\u0113t projekta apjomu. Run\u0101jot par materi\u0101liem, Ildze uzsver intuit\u012bvu pieeju. Vi\u0146u interes\u0113 ne tikai materi\u0101la vizu\u0101l\u0101s \u012bpa\u0161\u012bbas, bet ar\u012b tas, k\u0101 tas uzvedas, k\u0101das tehniskas iesp\u0113jas pied\u0101v\u0101 un k\u0101das asoci\u0101cijas rada. \u012apa\u0161u vietu joproj\u0101m ie\u0146em met\u0101ls, kura iztur\u012bba un ilgm\u016b\u017e\u012bba \u013cauj realiz\u0113t sare\u017e\u0123\u012btas konstrukcijas.<\/p>\n<p>Ar\u012b darbu tap\u0161anas ritms nav pak\u013cauts stingrai sist\u0113mai. Da\u017ek\u0101rt viens projekts tiek att\u012bst\u012bts vair\u0101kus m\u0113ne\u0161us, citk\u0101rt ideja realiz\u0113jas \u013coti \u012bs\u0101 laik\u0101. Ja rodas rado\u0161s strupce\u013c\u0161, m\u0101ksliniece visbie\u017e\u0101k izv\u0113las darbu nolikt mal\u0101 un pie t\u0101 atgriezties v\u0113l\u0101k. &#8220;K\u0101dreiz pal\u012bdz vienk\u0101r\u0161i turpin\u0101t str\u0101d\u0101t, bet bie\u017e\u0101k distance \u013cauj ieraudz\u012bt risin\u0101jumu.&#8221; N\u0101kotn\u0113 Ildze v\u0113las turpin\u0101t att\u012bst\u012bt Antverpen\u0113 aizs\u0101kto ma\u0123istra projektu un prezent\u0113t to gan Be\u013c\u0123ij\u0101, gan Latvij\u0101. Vi\u0146u arvien vair\u0101k interes\u0113 sare\u017e\u0123\u012bt\u0101ki meh\u0101nismi, jaunas met\u0101lapstr\u0101des tehnikas un kust\u012bgu objektu veido\u0161ana.<\/p>\n<p>Paral\u0113li rado\u0161ajam darbam vi\u0146a dom\u0101 ar\u012b par profesion\u0101l\u0101s dz\u012bves praktisko pusi. Darbu cenu noteik\u0161ana joproj\u0101m \u0161\u0137iet viens no sare\u017e\u0123\u012bt\u0101kajiem jaut\u0101jumiem, jo katr\u0101 objekt\u0101 ieguld\u012bts ne tikai laiks un materi\u0101ls, bet ar\u012b personiska attieksme. &#8220;Da\u017ek\u0101rt darbs k\u013c\u016bst par draugu, no kura ir gr\u016bti atvad\u012bties.&#8221; \u0160\u012b emocion\u0101l\u0101 saikne ar rad\u012btajiem objektiem raksturo ar\u012b Ildzes pieeju m\u0101kslai kopum\u0101. Vi\u0146as darbi nav tikai rotas vai meh\u0101nismi \u2014 tie ir ilgsto\u0161a dialoga rezult\u0101ts starp ideju, materi\u0101lu un cilv\u0113ku, kur\u0161 ar tiem sastopas. Un, iesp\u0113jams, visprec\u012bz\u0101k vi\u0146as rado\u0161o procesu raksturo pa\u0161as teiktais: &#8220;Kad aizraujos ar ideju, laiks mazliet p\u0101rst\u0101j eksist\u0113t.&#8221;<\/p>\n","protected":false},"author":3,"featured_media":3796,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3792","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":6,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3792\/revisions"}],"predecessor-version":[{"id":3802,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3792\/revisions\/3802"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media\/3796"}],"wp:attachment":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media?parent=3792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}