{"id":3883,"date":"2026-07-21T00:36:11","date_gmt":"2026-07-20T21:36:11","guid":{"rendered":"https:\/\/latvianjewellery.org\/?post_type=event&p=3883"},"modified":"2026-07-21T00:45:23","modified_gmt":"2026-07-20T21:45:23","slug":"anfilade-kimales-muiza","status":"publish","type":"event","link":"https:\/\/latvianjewellery.org\/lv\/event\/anfilade-kimales-muiza\/","title":{"rendered":"\u201cAnfil\u0101de\u201d \u0136imales mui\u017e\u0101"},"content":{"rendered":"

L\u012bdz 2026. gada 30. septembrim \u0136imales mui\u017e\u0101, Padures pagast\u0101, apskat\u0101ma Latvijas M\u0101kslas akad\u0113mijas Met\u0101la dizaina specialit\u0101tes studentu un pasniedz\u0113ju laikmet\u012bg\u0101s m\u0101kslas izst\u0101de \u201cAnfil\u0101de\u201d<\/strong>. Ekspoz\u012bcija izvietota gan mui\u017eas iek\u0161telp\u0101s, gan park\u0101, komunic\u0113jot starp v\u0113sturisko arhitekt\u016bru, apk\u0101rt\u0113jo ainavu un laikmet\u012bgo m\u0101kslu.<\/p>\n

Anfil\u0101de ir arhitekt\u016bras princips, kur\u0101 telpas, durvju ailes vai arkas izvietotas uz vienas ass, radot nep\u0101rtrauktu skatiena un kust\u012bbas l\u012bniju. Izst\u0101des dal\u012bbnieki \u0161o j\u0113dzienu interpret\u0113 pla\u0161\u0101k \u2013 k\u0101 sec\u012bbu, ritmu, p\u0101reju un savstarp\u0113jo attiec\u012bbu strukt\u016bru. Darbos anfil\u0101des princips atkl\u0101jas gan telpiskos objektos un instal\u0101cij\u0101s, gan rot\u0101s, dizaina un video darbos. Izst\u0101d\u0113 l\u012bdz\u0101s \u0136imales mui\u017eas plen\u0113r\u0101 rad\u012btajiem darbiem apskat\u0101mi ar\u012b studiju proces\u0101 tapu\u0161i darbi. Tas atkl\u0101j ekspoz\u012bcijas daudzveid\u012bbu \u2013 no smalki izstr\u0101d\u0101t\u0101m autorrot\u0101m l\u012bdz instal\u0101cij\u0101m un no atrastiem industri\u0101liem materi\u0101liem veidotiem objektiem. Viens no \u0161\u0101diem piem\u0113riem ir studiju uzdevums \u2013 rotka\u013ca profesion\u0101lo instrumentu izgatavo\u0161ana<\/strong>, tostarp 1. kursa studentes Katr\u012bnas Ungures<\/strong> rad\u012btais m\u0113rgredzenu komplekts, kas izst\u0101des kontekst\u0101 k\u013c\u016bst par simbolisku anfil\u0101des interpret\u0101ciju \u2013 sec\u012bgi organiz\u0113tu elementu virkni, kur katrs gredzens ved pie n\u0101kam\u0101. Da\u013ca studentu darbu izvietota \u0136imales mui\u017eas park\u0101. Lai tos atkl\u0101tu, izveidota neliela karte, kas ved apmekl\u0113t\u0101jus cauri mui\u017eas parkam un apk\u0101rtnei.<\/p>\n

Rotu m\u0101kslas biedr\u012bbu izst\u0101d\u0113 p\u0101rst\u0101v Ginta Gr\u016bbe un Rasma Pu\u0161pure \u2013 Latvijas M\u0101kslas akad\u0113mijas Met\u0101la dizaina specialit\u0101tes m\u0101c\u012bbsp\u0113ki un absolventes.<\/p>\n

Rasma Pu\u0161pure izst\u0101dei rad\u012bjusi darbu plen\u0113ra laik\u0101, dz\u012bvojot \u0136imales mui\u017e\u0101. Darbu iesp\u0113jams skat\u012bt rotu p\u0113tnieces un teor\u0113ti\u0137es L\u012bsbetes den Bestenas (Liesbeth den Besten) p\u0113t\u012bjumu kontekst\u0101. Den Bestena nor\u0101da uz p\u0101reju no “rotiskuma” (“jewelry-ness”) uz “objektiskumu”(“object-hood”) \u2013 situ\u0101ciju, kur\u0101 rota arvien vair\u0101k ieg\u016bst autonoma m\u0101kslas objekta statusu. Rasmas darbs organiski iek\u013caujas \u0161aj\u0101 laikmet\u012bg\u0101s rotu m\u0101kslas att\u012bst\u012bbas virzien\u0101, kur \u0137erme\u0146a tuvums saglab\u0101jas k\u0101 atsauce, bet valk\u0101jam\u012bba vairs nav galvenais darba m\u0113r\u0137is. Darbs atrodas telpas centr\u0101 pie sienas, rad\u012bts no auto izpl\u016bdes sist\u0113mas klusin\u0101t\u0101ja, tas, iesp\u0113jams, noklusina mui\u017eas spoku vaimanas.<\/p>\n

Izst\u0101d\u0113 redzama ar\u012b da\u013ca no Gintas Gr\u016bbes rotu kolekcijas “Obras”, ko vi\u0146a veidousi Portug\u0101l\u0113, uzturoties rezidenc\u0113 ar t\u0101du pa\u0161u nosaukumu. “Obras” portug\u0101\u013cu valod\u0101 noz\u012bm\u0113 “darbi” vai “m\u0101kslas darbi”, vienlaikus ietverot ar\u012b rad\u012b\u0161anas un veido\u0161anas procesa noz\u012bmi.<\/p>\n

Izst\u0101des rado\u0161aj\u0101 komand\u0101 darboj\u0101s ar\u012b LMA pasniedz\u0113ji Arv\u012bds Endzi\u0146\u0161<\/strong> un Modris Svil\u0101ns<\/strong>, kuri savulaik absolv\u0113ju\u0161i Latvijas M\u0101kslas akad\u0113mijas Met\u0101la dizaina specialit\u0101ti. Vi\u0146i vad\u012bja studentu darbus plen\u0113ra laik\u0101, galvenok\u0101rt fokus\u0113joties uz objektiem \u0101rtelp\u0101. Modris Svil\u0101ns ir paz\u012bstams k\u0101 kinetisku skulpt\u016bru un ska\u0146as instal\u0101ciju m\u0101kslinieks. Vi\u0146a darbs ataino tr\u012bs putnus, kas atdz\u012bvojas cilv\u0113ka kl\u0101tb\u016btn\u0113 \u2013 putni cen\u0161as att\u0101lin\u0101ties, vienlaikus paliekot uz vietas. Arv\u012bds Endzi\u0146\u0161 izveidojis v\u012bra t\u0113lu, kas balsta izst\u0101des telpas p\u0101rsegumu. Simboliski tas sasaucas ar\u012b ar pa\u0161u autoru \u2013 vi\u0146\u0161 ir pieredz\u0113ju\u0161\u0101kais m\u0101kslinieks izst\u0101des dal\u012bbnieku vid\u016b un bijis skolot\u0101js visiem p\u0101rst\u0101v\u0113tajiem autoriem.<\/p>\n

Izst\u0101d\u0113 sastopami \u013coti at\u0161\u0137ir\u012bgi skat\u012bjumi uz anfil\u0101des t\u0113mu. El\u012bzas Dz\u0113rves<\/strong> video darbs piev\u0113r\u0161as nepabeigt\u012bbai k\u0101 st\u0101voklim \u2013 dokument\u0113jot nepabeigtas infrastrukt\u016bras un arhitekt\u016bras ieceres, autore t\u0101s mar\u0137\u0113 ar nelielu met\u0101la bant\u012bti, p\u0101rv\u0113r\u0161ot \u0161\u0137ietami nepaman\u012bto par uzman\u012bbas v\u0113rtu notikumu. Savuk\u0101rt Elisas Gri\u017ebovskas<\/strong> kakla rota, iedvesmojoties no za\u0137a t\u0113la un ritmiski atk\u0101rtojot apkakles mot\u012bvu, atkl\u0101j, k\u0101 arhitekt\u016bras lo\u0123ika var izpausties \u0137erme\u0146a m\u0113rog\u0101, veidojot telpisku strukt\u016bru ap valk\u0101t\u0101ju. LMA Met\u0101la dizaina specialit\u0101tes 2. kursa studentes Elisas Gri\u017ebovskas darbs, kas tapis pasniedz\u0113ja Andra Silap\u0113tera vad\u012bb\u0101, iedvesmojies no za\u0137a t\u0113la un t\u0101 rakstur\u012bgaj\u0101m \u012bpa\u0161\u012bb\u0101m. Atk\u0101rtojot un ritmiz\u0113jot apkakles mot\u012bvu, autore rad\u012bjusi kakla rotu, kas veido telpisku strukt\u016bru ap \u0137ermeni. Darbs sasaucas ar laikmet\u012bg\u0101s rotu m\u0101kslas trad\u012bciju, kur\u0101 rota tiek uztverta k\u0101 valk\u0101jama skulpt\u016bra. \u0160aj\u0101 kontekst\u0101 iesp\u0113jams saskat\u012bt paral\u0113les ar n\u012bderlandie\u0161u avangarda rotu m\u0101kslinieka Paula Derreza darbiem, kuros v\u0113sturiskas ap\u0123\u0113rba formas, \u012bpa\u0161i apkakles, tiek transform\u0113tas minim\u0101listisk\u0101s un arhitektonisk\u0101s konstrukcij\u0101s. L\u012bdz\u012bgi ar\u012b Gri\u017ebovskas darb\u0101 atk\u0101rtojums k\u013c\u016bst par telpu veidojo\u0161u principu.<\/p>\n

B\u016btiska izst\u0101des da\u013ca tapusi plen\u0113ra laik\u0101 \u0136imales mui\u017e\u0101. Autori str\u0101d\u0101ju\u0161i ar gataviem industri\u0101liem priek\u0161metiem un met\u0101la elementiem, kurus nodro\u0161in\u0101jis uz\u0146\u0113mums Tolmets Kurzeme<\/strong>. \u0160\u0137ietami savu s\u0101kotn\u0113jo funkciju zaud\u0113ju\u0161ie objekti p\u0101rtapu\u0161i jaun\u0101s m\u0101ksliniecisk\u0101s strukt\u016br\u0101s, savienojot industri\u0101lo pag\u0101tni ar izt\u0113li, eksperimentu un amatniecisk\u0101m prasm\u0113m.<\/p>\n

Izst\u0101d\u0113 piedal\u0101s: Arv\u012bds Endzi\u0146\u0161, Ginta Gr\u016bbe, Rasma Pu\u0161pure un Modris Svil\u0101ns.<\/strong><\/p>\n

Studentu darbus p\u0101rst\u0101v: Velta Vilhelm\u012bne Balcere, El\u012bza Dz\u0113rve, Matilde Marija Feldmane, Nikola Freimane, Elisa Gr\u017eibovska, Krista Heinrihsone, Stella Kalpeniece, Elizabete Lipska, Vincents Palucka, Anna Reiktere, Marija \u0160andurova un Katr\u012bna Ungura.<\/strong><\/p>\n

Izst\u0101des komanda pateicas met\u0101ll\u016b\u017e\u0146u p\u0101rstr\u0101des uz\u0146\u0113mumam Tolmets Kurzeme<\/strong> par atbalstu un materi\u0101lu nodro\u0161in\u0101\u0161anu plen\u0113ra darbu tap\u0161an\u0101, k\u0101 ar\u012b grafikas m\u0101ksliniecei Gunai Pogai<\/strong> par izst\u0101des vizu\u0101l\u0101s identit\u0101tes izstr\u0101di. \u012apa\u0161a pateic\u012bba \u0136imales mui\u017eai<\/strong> un t\u0101s saimniekiem Inesei Andersonei un Kimam P\u0113tersonam<\/strong> par viesm\u012bl\u012bbu, atsauc\u012bbu un iesp\u0113ju \u012bstenot izst\u0101di unik\u0101l\u0101 kult\u016brv\u0113sturisk\u0101 vid\u0113. Izst\u0101des tap\u0161an\u0101 piedal\u012bj\u0101s ar\u012b Latvijas M\u0101kslas akad\u0113mijas ma\u0123istra programmas 1. kursa studentes Ance Pud\u0101ne, Jekaterina Kovalenko un Marta Romanovska<\/strong>, kuras piedal\u012bj\u0101s ekspoz\u012bcijas veido\u0161an\u0101 un iek\u0101rto\u0161an\u0101.<\/p>\n

Aicin\u0101m apmekl\u0113t izst\u0101di \u201cAnfil\u0101de\u201d un iepaz\u012bt Latvijas M\u0101kslas akad\u0113mijas Met\u0101la dizaina specialit\u0101tes studentu un pasniedz\u0113ju darbus gar iek\u0161telp\u0101s, gan \u0101rtelp\u0101.<\/strong><\/p>\n

Norises vieta:<\/strong> \u0136imales mui\u017ea, Padures pagasts, Kuld\u012bgas novads
Izst\u0101de apskat\u0101ma l\u012bdz:<\/strong> 2026. gada 30. septembrim, par darba laiku sazin\u0101ties ar mui\u017eas saimniekiem.<\/p>\n

Teksts: Ginta Gr\u016bbe<\/p>\n","protected":false},"author":3,"featured_media":3904,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3883","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":4,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3883\/revisions"}],"predecessor-version":[{"id":3957,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/3883\/revisions\/3957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media\/3904"}],"wp:attachment":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media?parent=3883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}