{"id":4206,"date":"2026-10-10T12:55:44","date_gmt":"2026-10-10T09:55:44","guid":{"rendered":"https:\/\/latvianjewellery.org\/?post_type=event&#038;p=4206"},"modified":"2026-10-29T13:31:36","modified_gmt":"2026-10-29T11:31:36","slug":"marmora-izpete-obras-rezidence","status":"publish","type":"event","link":"https:\/\/latvianjewellery.org\/lv\/event\/marmora-izpete-obras-rezidence\/","title":{"rendered":"Marmora izp\u0113te OBRAS rezidenc\u0113"},"content":{"rendered":"<p>2026. gada septembr\u012b Latvijas rotu m\u0101kslinieces <strong>Rasma Pu\u0161pure un Ginta Gr\u016bbe<\/strong> otro gadu p\u0113c k\u0101rtas uztur\u0113j\u0101s m\u0101kslinieku rezidenc\u0113 <strong>OBRAS<\/strong> Portug\u0101les Alente\u017eu re\u0123ion\u0101, turpinot 2025. gad\u0101 ies\u0101kto darbu ar viet\u0113jiem materi\u0101liem \u2013 marmoru, kor\u0137i un atrastiem priek\u0161metiem. Ar\u012b \u0161ogad m\u0101kslinieciskajai izp\u0113tei pievienoj\u0101s instal\u0101ciju un ska\u0146as m\u0101kslinieks <strong>Modris Svil\u0101ns<\/strong>. Rezidences laik\u0101 att\u012bst\u012bt\u0101s ieceres k\u013cuvu\u0161as par pamatu kop\u012bgai izst\u0101dei <em>Not Now, Marble<\/em>, kas 2027. gada august\u0101 pl\u0101nota Evoramontes pil\u012b, Portug\u0101l\u0113.<\/p>\n<p>Ja pirmaj\u0101 rezidenc\u0113 m\u0101kslinie\u010du galven\u0101 interese bija iepaz\u012bt neierastus materi\u0101lus un to apstr\u0101des iesp\u0113jas, tad \u0161ogad arvien noz\u012bm\u012bg\u0101ka k\u013cuva pati vieta \u2013 t\u0101s ainava, v\u0113sture, cilv\u0113ki un materi\u0101lu ieguves procesi. Alente\u017eu ir re\u0123ions, kur l\u012bdz\u0101s ol\u012bvkoku un kor\u0137ozolu audz\u0113m atrodas pla\u0161as marmora ieguves teritorijas. Marmors \u0161eit ir gan noz\u012bm\u012bgs viet\u0113j\u0101s kult\u016bras un arhitekt\u016bras materi\u0101ls, gan da\u013ca no industri\u0101l\u0101s ainavas.<\/p>\n<p data-pm-slice=\"1 1 []\"><strong>Rasma Pu\u0161pure<\/strong> turpin\u0101ja 2025. gad\u0101 OBRAS rezidenc\u0113 aizs\u0101kto darbu ar marmoru. S\u0101kotn\u0113j\u0101 interese par \u0161o materi\u0101lu pamudin\u0101ja m\u0101kslinieci patst\u0101v\u012bgi apg\u016bt t\u0101 grie\u0161anas, sl\u012bp\u0113\u0161anas un formas veido\u0161anas pa\u0146\u0113mienus, izmantojot rotu darin\u0101\u0161an\u0101 un d\u0101rgakme\u0146u apstr\u0101d\u0113 ieg\u016bt\u0101s zin\u0101\u0161anas. Rasma rezidenc\u0113 non\u0101ca pie ieceres \u2013 katru dienu izgatavot vienu marmora olu.\u00a0Divdesmit devi\u0146as rezidences dienas, divdesmit devi\u0146as olas. Ta\u010du darba gait\u0101 s\u0101kotn\u0113jais m\u0113r\u0137is tika p\u0101rsniegts, un tapa pla\u0161\u0101ka da\u017e\u0101du izm\u0113ru, kr\u0101su un fakt\u016bru marmora objektu kolekcija. Olas forma k\u013cuva par s\u0101kumpunktu ne tikai tehniskiem eksperimentiem, bet ar\u012b p\u0101rdom\u0101m par materi\u0101lu v\u0113rt\u012bbu.<\/p>\n<p><strong>Ginta Gr\u016bbe<\/strong> savuk\u0101rt piev\u0113rs\u0101s robe\u017eai starp rotu, objektu un skulpt\u016bru. Vi\u0146as darbos noz\u012bm\u012bgu vietu ie\u0146em atrasti priek\u0161meti, materi\u0101lu p\u0101rpalikumi un to s\u0101kotn\u0113j\u0101s funkcijas p\u0101rinterpret\u0101cija. Rezidenc\u0113 att\u012bst\u012btaj\u0101 darbu cikl\u0101 <em>The Missing Link<\/em> marmors sastopas ar ikdieni\u0161\u0137iem priek\u0161metiem un viet\u0113jiem materi\u0101liem, veidojot negaid\u012btas attiec\u012bbas starp priek\u0161meta v\u0113sturi, t\u0101 simbolisko noz\u012bmi un \u0137ermeni. M\u0101kslinieci interes\u0113 ar\u012b pretruna starp marmora monumentalit\u0101ti un rotas int\u012bmo m\u0113rogu \u2013 materi\u0101ls, kas parasti saist\u0101s ar arhitekt\u016bru un pieminek\u013ciem, k\u013c\u016bst par objektu, kura svars un forma izaicina ierastos priek\u0161status par valk\u0101jam\u012bbu.<\/p>\n<p><strong>Modris Svil\u0101ns<\/strong> rezidenc\u0113 str\u0101d\u0101ja ar kin\u0113tiskiem objektiem, modul\u0101ro sintezatoru un ska\u0146as eksperimentiem. Vi\u0146a praks\u0113 meh\u0101niskas kust\u012bbas un dz\u012bvu organismu bioelektriskie sign\u0101li k\u013c\u016bst par ska\u0146as veido\u0161anas elementiem. Darbos izmantoti ar\u012b Portug\u0101l\u0113 veikti vides ska\u0146u ieraksti. T\u0101d\u0113j\u0101di re\u0123iona materi\u0101l\u0101 vide tiek p\u0113t\u012bta ne vien vizu\u0101li un taust\u0101mi, bet ar\u012b audi\u0101li.<\/p>\n<p>Rezidences nosl\u0113gum\u0101, <strong>27. septembr\u012b<\/strong>, OBRAS notika atv\u0113rto darbn\u012bcu diena (<em>Open Studio Day<\/em>), kur\u0101 apmekl\u0113t\u0101ji var\u0113ja iepaz\u012bties ar m\u0101kslinieku darba procesiem un rezidences laik\u0101 tapu\u0161ajiem eksperimentiem. Ginta un Rasma prezent\u0113ja savus darbus un rado\u0161\u0101s prakses, savuk\u0101rt Modris kop\u0101 ar vok\u0101listi un eksperiment\u0101l\u0101s m\u016bzikas m\u0101kslinieci Sophie Tassignon sniedza ska\u0146as performanci, apvienojot elektronisko ska\u0146u eksperimentus ar dz\u012bvo vok\u0101lu. \u0160\u0101das tik\u0161an\u0101s ir b\u016btiska OBRAS reziden\u010du da\u013ca, \u013caujot m\u0101ksliniekiem apmain\u012bties ar pieredzi un veidot dialogu ar starptautisku auditoriju.<\/p>\n<p>Uztur\u0113\u0161an\u0101s laik\u0101 m\u0101kslinieki apmekl\u0113ja ar\u012b <strong>3. Lisabonas laikmet\u012bgo rotu bienn\u0101li<\/strong>, k\u0101 ar\u012b tik\u0101s ar portug\u0101\u013cu rotu m\u0101kslinieci, p\u0113tnieci un kuratori <strong>Cristina Filipe<\/strong>. Sadarb\u012bba ar vi\u0146u turpin\u0101sies, veidojot n\u0101kam\u0101 gada izst\u0101di.<\/p>\n<h3>Not Now, Marble \u2013 turpin\u0101jums 2027. gad\u0101<\/h3>\n<p>Divu gadu laik\u0101 OBRAS rezidenc\u0113 aizs\u0101kt\u0101 materi\u0101lu izp\u0113te ir p\u0101raugusi starpdisciplin\u0101r\u0101 izst\u0101des projekt\u0101 <em>Not Now, Marble<\/em>, kas apvienos laikmet\u012bgo rotu m\u0101kslu, skulptur\u0101lus objektus, kin\u0113tiskas instal\u0101cijas un ska\u0146u.<\/p>\n<p>Izst\u0101de pl\u0101nota <strong>no 2027. gada 5. l\u012bdz 22. augustam Evoramontes pil\u012b<\/strong>, v\u0113sturisk\u0101 arhitekt\u016bras pieminekl\u012b Estremozas pa\u0161vald\u012bb\u0101. Projekta kuratore b\u016bs Cristina Filipe, un t\u0101 \u012bsteno\u0161ana notiks sadarb\u012bb\u0101 ar OBRAS Residencies. Izst\u0101de ir apstiprin\u0101ta k\u0101 <strong>BIALE_27 \u2013 Alente\u017eu Starptautisk\u0101s bienn\u0101les<\/strong> programmas da\u013ca k\u0101 ar\u012b tiek att\u012bst\u012bta sadarb\u012bba ar <strong>\u00c9vora_27 \u2013 Eiropas kult\u016bras galvaspils\u0113tas<\/strong> programmu.<\/p>\n<p>Izst\u0101des centr\u0101 b\u016bs jaut\u0101jums par materi\u0101la un cilv\u0113ka at\u0161\u0137ir\u012bgajiem laika m\u0113rogiem. Marmors, kas veidojies \u0123eolo\u0123iskos procesos un gadsimtiem izmantots monument\u0101laj\u0101 arhitekt\u016br\u0101, rotas form\u0101 non\u0101k tie\u0161\u0101 saskar\u0113 ar cilv\u0113ka \u0137ermeni. \u0160\u012b m\u0113rogu un laika neatbilst\u012bba k\u013c\u016bst par vienu no projekta galvenaj\u0101m t\u0113m\u0101m, vienlaikus piev\u0113r\u0161oties materi\u0101lu ieguvei, ainavas p\u0101rmai\u0146\u0101m un viet\u0113j\u0101s kult\u016bras mantojumam.<\/p>\n<p>Izst\u0101des programm\u0101 paredz\u0113ta ar\u012b publiska diskusija ar portug\u0101\u013cu arheolo\u0123i <strong>Maria de Magalh\u00e3es Ramalho<\/strong> par kult\u016bras mantojumu, ainavu un dabas resursu izmanto\u0161anu.<\/p>\n<p>Sadarb\u012bba ar OBRAS turpin\u0101sies ar\u012b pirms izst\u0101des. <strong>2027. gada janv\u0101r\u012b Rasma Pu\u0161pure vad\u012bs tr\u012bs ned\u0113\u013cu marmora apstr\u0101des rado\u0161o darbn\u012bcu<\/strong>, aicinot dal\u012bbniekus iepaz\u012bt viet\u0113jo materi\u0101lu un eksperiment\u0113t ar t\u0101 iesp\u0113j\u0101m laikmet\u012bgaj\u0101 m\u0101ksl\u0101 un dizain\u0101. Darbn\u012bcai iesp\u0113jams pieteikties te &#8211; <a href=\"https:\/\/www.obrasresidencies.com\/marble-carving-workshop\">https:\/\/www.obrasresidencies.com\/marble-carving-workshop<\/a><\/p>\n<p>Tas, kas 2025. gad\u0101 s\u0101k\u0101s k\u0101 interese par marmoru un kor\u0137i, pamaz\u0101m k\u013cuvis par pla\u0161\u0101ku m\u0101ksliniecisku p\u0113t\u012bjumu un ilgtermi\u0146a sadarb\u012bbu. OBRAS \u0161aj\u0101 proces\u0101 ir ne tikai darba vieta, bet ar\u012b vide, kur\u0101 sastopas da\u017e\u0101das m\u0101ksliniecisk\u0101s prakses, viet\u0113j\u0101s zin\u0101\u0161anas un jaunas idejas.<\/p>\n<p>Teksts: Ginta Gr\u016bbe<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"author":3,"featured_media":4207,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4206","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/4206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":4,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/4206\/revisions"}],"predecessor-version":[{"id":4252,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/event\/4206\/revisions\/4252"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media\/4207"}],"wp:attachment":[{"href":"https:\/\/latvianjewellery.org\/lv\/wp-json\/wp\/v2\/media?parent=4206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}