Often her work derives from questioning issues about the world around. Fascinated by the concepts of slow living and sustainable practices. Passionate about ethical practices in artist and designer studios and she select the materials for her works with the deepest empathy for the environment and the impact she creates even in the smallest scale. She sees the aesthetics of her work in clear, pure, basic forms that create a space or provide, by virtue of their lines, a basic framework. A constant part of her pieces is fusion of opposites and contrasts where the material itself and material semantics in particular plays an important role.

“I generally work with the idea of a memory, or the memory of an idea. It is in the way it happens that I find inspiration from. For me this recollection happens within the contradiction of filling an absence that can’t be filled any other way than by recreating in new visual and tangible forms. With my work I try to keep track of things and memories that can no longer be kept, but in this way I can hold on to them. I don’t see memory as an accurate recollection of events; rather a selective process of preserving.”